by Susan Sontag
published in 1973
"Through being photographed, something becomes part of a system of information, fitted into schemes of classification and storage which range from the crudely chronological order of snapshot sequences pasted in family alums to the dogged accumulations and meticulous filing needed for photography's uses in weather forecasting, astronomy, microbiology, geology, police work, medical training and diagnosis, military reconnaissance, and art history. Photographs do more than redefine the stuff of ordinary experience (people, things, events, whatever we see—albeit differently, often inattentively— with natural vision) and add vast amounts of material that we never see at all. Reality as such is redefined—as an item for exhibition, as a record for scrutiny, as a target for surveillance. The photographic exploration and duplication of the world fragments continuities and feeds the pieces into an interminable dossier, thereby providing possibilities of control that could not even be dreamed of under the earlier system of recording information: writing."
"While many people in the non-industrialized countries still feel apprehensive when being photographed, divining it to be some kind of trespass, an act of disrespect, a sublimated looting of personality or the culture, people in industrialized countries seek to have their photographs taken—feel that they are images, and are made real by photographs."
"To possess the world in the form of images is, precisely, to reexperience the unreality and remoteness of the real."